A study of contemporary front covers
What is The Observer's House style?
Body copy: Written in a serif font, making it easy to read and traditional for newspapers.
Use of Language: Headlines are written in a journalistic, formal style.
Images: Uses full colour photography, which brings variety and visual interest. Most images are of politicians, celebrities and ordinary people.
Some are close ups; most are mid or long shots to connote a news orientation àan individual's, audience's, or organisation's specific pattern of consumption, interest or approach toward news media.
Colour: 3 Colours are used throughout the main newspaper to brand different sections.
Typography: All fonts are designed as serif and the masthead is slightly more rounded. Font uses a mixture of bold and elegantly thin strokes, connoting confidence and elegance. House style is achieved through this being used throughout.
Values: Liberal values: tolerance, fairness and progress through media language, which makes it mainstream.
It’s designed to connote that the newspaper is packed full of news, which celebrates the value of information.
Front cover analysis:
Identify stories from the contemporary covers, that reflect Britain as a multicultural
society.
On the March 2025 cover, the main image shows Chelsea’s women’s team lifting a trophy after winning the league. The anchorage supports the image positively, highlighting success in a sport traditionally dominated by men. The players pictured are from diverse ethnic and racial backgrounds, and the mention of a French manager reinforces themes of multiculturalism. On the February 2025 front cover, a cover line in the bottom corner refers to “the far right’s xenophobia,” emphasising the need to challenge it. It is written by Musa Okwonga, whose non English name suggests a diverse range of writers contributing to The Observer.
Identify one story and one journalist from the contemporary covers that reflect a feminist
society.
The Free Food magazine advertised on the Feb 25 cover, is aimed at The Observer's middle class readership. The 'urban wineries' would appeal to those middle class readers as something they might want to do.
Find your own story, that reflects a context not mentioned in Q1-3: Feminism? Mental
Health?
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